A museum of collective vitality

What are museums for?

One answer to this question comes toward the end of Orhan Pamuk’s epic novel, The Museum of Innocence, as the anti-hero Kemal visits thousands of museums in Europe, Asia and America. He’s planning to open his own house museum in tribute to Füsun, the forbidden love of his life – he’s been collecting objects he associates with her for years, from her cigarette butts to the ceramic dogs on her family’s television set. Pondering the purpose of collecting, he comes to the simple conclusion that museums are time compressed into space.

Looking at it from the direction of visitors rather than collectors… within the space of the museum we decompress the assembled material – expand it to witness something of the flow of time – what happened, how, and what it might mean. But is knowledge and understanding the end point?

In another take on their purpose of museums, New Curator describes museums as the city’s lymph nodes, immersed in its central nervous system, providing immunity against its ills. This model suggests a purpose beyond the (co)production of knowledge and understanding. Here, museums play a role in maintaining public health and happiness.

I’d like to reconceive of the National Museum of Australia in these terms. If a city museum can contribute to a city’s vitality, then a national museum can contribute to a nation’s. And now that we have a new director keen to take the museum into the future and willing to engage with contemporary issues, it is timely to reconsider its purpose. Could it be to promote our collective health in both social and environmental terms?

What would such a museum look like? It would certainly host celebrations – of admirable qualities of people and country. But it would also work to heal historical wounds, to tend to our collective psyche and our ecology. It would enlist visitors as active collaborators in witnessing, in recognising, in empathising, and provide means for us to respond in constructive ways. In this way, the National Museum would cultivate our collective vitality.

A Depression story in the National Archives

This post is an excerpt from a paper I wrote about findability of National Archives of Australia collection items for the 2008 Australian Society of Archivists conference. The idea is that anyone’s description of a record could be put to work in the service of findability. So the following is an example of a description, of a single page from a single file (of 220 pages) from a single series (of 13,749 files) from the National Archives collection (of around 45,000 series). (You can see why findability is an issue for us!)

The whole paper is available from the National Archives of Australia website.

In February 1934, Victor Fitzgibbon wrote a note to the Secretary of the Department of the Interior. The Department had provided him with four weeks’ work so that he could leave Canberra with his family. Having saved enough in that time to buy and recondition a truck, Mr Fitzgibbon sought a grant to register the vehicle for three months.

Grant for three months' truck registration

Victor Fitzgibbon’s request to the Department of the Interior for a grant to register his truck for three months so he could leave Canberra with his family.
National Archives of Australia: A659, 1939/1/16561

This note – the raw record – was used the same day it was written. CS Daley, the Assistant Secretary of the Civic Branch of the Department of the Interior, inserted Mr Fitzgibbon’s handwritten page into a typewriter to make his recommendation, which was to approve the grant ‘as a debit to the Alleviation of Distress, on the grounds that his continued residence in Canberra would be a greater burden to the Alleviation of Distress than the amount requested’. The Secretary of the Department must have been away, because he then added a further annotation: ‘In view of urgency, take action as proposed and resubmit for covering approval on Secretary’s return. CSD, 16.2.34′.

Another annotation suggests that the grant was issued four days later, and HC Brown, Secretary of the Department, noted his approval about a week after that.

In this first phase of the record’s life, it has served its purpose as attestation – to the need for the grant; and as documentation – of the Assistant Secretary’s recommendation for approval, and on what grounds; of the funds’ disbursal; and of the belated approval for such.

By reading the other documents in the file that relate to Mr Fitzgibbon, a fuller picture of the situation is revealed. It was the tail end of the Depression. Victor Fitzgibbon had arrived in Canberra after 1929, so he was ineligible for the rations available to other residents in similarly difficult circumstances. He was living at Ainslie married camp, with his pregnant wife and infant child. Several months prior to writing the letter described here, he had agreed to leave the Territory by mid-January if he was unable to find work. From the Department of the Interior’s point of view, the Fitzgibbon family had received special treatment up to that time, on account of the young child and Mrs Fitzgibbon’s pregnancy. In fact, one document notes that several years prior to this time, Victor Fitzgibbon’s father had been granted transport to go to Melbourne in 1929, and that he had returned ‘unannounced’ with Victor and his family.

Probably, the Department was keen to see the back of the Fitzgibbons, its sympathy having expired. The final instalment in the archival story is a small note pinned to the letter. ‘CD’ (presumably the Assistant Secretary, CS Daley) states ‘Has Fitzgerald [sic] actually left on the vehicle.’ Another hand has written ‘Please verify from police.’ A final note states ‘Fitzgibbon left Canberra Thursday last 22.2.34 – destination unknown’.

You can also see this record in Vrroom – virtual reading room.

History Summit in cloud-cuckoo land

Over the weekend, I read the transcript of the Australian History Summit that Education Minister Julie Bishop convened after Prime Minister John Howard criticised school history as ‘fragmented stew of ‘themes’ and ‘issues’. The summit agenda was to revive the narrative approach to teaching history, and to agree on the main currents and big themes in Australia’s national story.

For me, whether a historical narrative is necessary – and even what gets into the narrative – is less critical than the issue of historical enquiry. If students are encouraged (as they have been since the enquiry-driven approach of the latest curriculum), to come to their own conclusions by researching, reading and evaluating a range of sources, then it matters far less what picture their teacher paints about the past. The narrative is a starting point. But the work of history students happens after that, as students examine the evidence and begin to form their own narrative.

Interestingly, some participants looked down their noses at the ‘Wikipedia generation’ of students, as if Wikipedia is not a great place to go for an introduction to most historical events or topics – check out the History of Australia page. If history students are seeing that as the be all and end all of their research, then that’s clearly a problem: whatever narrative they produce, it will not be informed by research or analysis. But the principle of starting with a coherent narrative overview is fine. (Hang on, wasn’t that the point of the whole summit?) So why be so condescending toward students?

Anyway, so I was keen to find out how the summit dealt with the issue of historical enquiry. Was the discussion of narrative content framed by recognition that students need to develop skills, and use primary sources?

Despite many mentions of historical skills, and clear recognition of the need for rich teaching resources, there was only one mention of primary sources. In the last session of the day – ten pages after afternoon tea – Inga Clendinnen said:

I want to be sure we have moved well away from the notion of learning history to doing history. We need analysis of some primary material, because you learn from doing history, not by being taught it. It is a critical discipline.

If I had been invited to the summit, I reckon I’d have uttered a hearty cheer at that point. Maybe that just confirms my position outside the ‘sensible centre’. The point is, she was immediately chastened by Gregory Melleuish:

I think what Inga said is fine if you are training a postgraduate historian who will become a professional historian. But when I look at my daughter and her friends, quite frankly, that is up in cloud-cuckoo land.

Well, if Inga is in cloud-cuckoo land, I’m right there with her. And so is Jenny Gregory, who pointed out (Inga Clendinnen persisted for a while but Gregory Melleuish was adamant):

it is very easy to present students with a set of documents about a particular event which gives different viewpoints and then give them the opportunity to analyse, to look at the evidence and come to a conclusion.

Indeed.

I could go on here. I could list a bunch of links to primary sources on the web. Or I could speculate on whether the lobbying by the museums sector and the Australian Society of Archivists (to which Geoffrey Bolton referred) had any effect. But I’d rather hear some other views. Comment, anyone?

How Web 2.0 will change history

As an editor of archival websites, I’m interested in the tools available for historical publishing, research and interpretation. And the advent of Web 2.0 means that such tools are proliferating and becoming easier and more fun to use. Social software is making search interfaces more intuitive and clever; it is making publishing dialogic – readers can also be writers; and it is enabling many new kinds of collaborations to occur in interpreting collections.

Last month I addressed a small group at the Australian Historical Association conference in Canberra on this topic of How Web 2.0 will change history – possible futures for websites of the National Archives of Australia (PDF 312kb). The paper was framed by this mindmap I made

Mindmap of Web 2.0 and the life cycle of historiography

(inspired by other mindmaps on Web 2.0, like the one on Wikipedia).

There are plenty of exciting things the National Archives of Australia could do with these technologies, and it is starting to happen, but the path is long, resources are limited, and in some ways a cultural shift is necessary – it does not come naturally for a cultural institution to radically trust its audience.* So the paper is a bit imagin-ary. But didn’t Einstein say that imagination is more important than knowledge?

* Deep bow here to the Powerhouse Museum and its new collection interface, which you can read more about on the fresh + new blog.

Idle and disorderly namesake

At work the other week, my friend Kate was glancing over an index to the Argus newspaper, 1870–79, when she spotted my name – Catherine Styles – in relation to a court case involving Catherine and four Chinese men. The charge was “idle and disorderly”.

Intriguing! My Dad’s from Victoria. It’s possible this Catherine was my great great grandmother. What else did the paper report? Off I went to the National Library to learn more. Turns out she was Catharine, not Catherine like me. But the indexers got the rest right.

On 17 June 1872, the paper reported that in the city court, she and four others were “accused of being idle and disorderly persons without lawful means of support”. The house they’d been found in, on Little Bourke Street, “was the resort of Chinese and European thieves, who went there to sleep and smoke opium”. Hm… so she was in a house where people slept and smoked opium. And she had no lawful income – she was poor.

There was another other remnant of the life of Catharine Styles in that report. She was “going to be married to a Chinaman next week”. Well, that was if they set her free in time. The last line of the report states that she was remanded in prison until the case could be heard.

On 21 June 1872 Catharine Styles appeared in court again, along with Ah Quong, Ah Wan, Lun Tack and Ah Long. Ah Quong was charged with keeping a house frequented by idle and disorderly persons. All the others were accused of being idle and disorderly persons frequenting the house.

Apparently, the men had been found smoking opium in the house. But what did Catharine do to get arrested? A Detective Hartney ‘said that prostitution was carried on to a terrible extent in Little Bourke Street’. So my namesake lived on a street where prostitution happened. From the report, it’s not clear where the voice of a witness stops and the reporter’s own voice begins. But whoever is speaking, no one is saying that Catharine Styles was caught doing anything wrong. One witness was ‘astonished at the frightful immorality’ in the area, and the following sentence reveals something of the intersection between race, gender and class, but nothing of Catharine’s situation or actions:

The females, who were generally young, – some mere girls – got more money from the Chinese than they did from the Europeans, and were common to large numbers living in one house.

The next sentence of the report suggests that Catharine was one of these girls, but only because it directly follows on from the last:

The friends of this young woman Styles, who was living in Ah Quong’s house, had tried to reclaim her but without avail.

Maybe Catharine earned money for sex, or maybe she didn’t. Certainly, she was young and poor. Maybe she was happy, in love, her heart set on marriage to her Chinese lover. (Can you tell I tend to be optimistic?)

She didn’t marry the next week. Along with Ah Long, who had only been out of gaol for 15 months, she was ‘let off with three months’ imprisonment’. The others got six each.

We looked up the registers of marriage in Victoria, and found no evidence that Catharine Styles ever got married. Ancestor or not, it was nice to learn a bit about her – to attend to her. I hope she found happiness.

One mob

Lately, if you’re in or near Nimbin, you’ll see this sticker a lot.

ONE MOB sticker on a car – the text is around an Aboriginal flag superimposed onto a map of Australia

It is a vision of Michael Bayles:

One Mob is a living concept.
It is a way of life that people have lived with in this country,
since the beginning of time.

It is about sharing, caring, honour, integrity, principles and pride.

To make people feel good about who they are,
and the place they come from.

We have called this place home for millions of years,
Now you call this place home.

You have to honour and look after it,
like the first people who called it home,
so it will last another million years.

Through your actions today, you will be an honourable Ancestor
to the children of the future.

You can get a sticker in person from the community-run Nimbin Museum. It’s worth a visit. But don’t worry if you can’t get to Nimbin, you don’t really need the sticker. This vision is livable.

Oral history archive

At a history teachers conference this week, Michael Caulfield spoke about the making of the Australians at War Film Archive.

This archive exists because of the Australian fascination (read obsession!) with war and war history. But the result is not military history. It is a rich source of oral history.

The archive comprises 12,000 hours of film interviews with 2005 people. Well-trained interviewers worked in pairs to elicit amazingly intimate and frank stories of lives before, during and after the subject’s war experience.

Better still, every interview is transcribed and therefore fully searchable by keyword. It seems like whatever term you search for – I tried ‘Depression’, ‘pregnancy’ and ‘worms’ – yields pages and pages of results.